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	<title>Titicut Documentary Blog. Documentary film reviews &#38; filmmaking &#187; Documentary Filmmaking</title>
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	<link>http://www.titicut.com</link>
	<description>Sifting through the detritus of documentaries. Documentary film reviews &#38; filmmaking with a heavy dose of opinion.</description>
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		<title>The Documentary That&#8217;s Ruling My Life!</title>
		<link>http://www.titicut.com/documentary-filmmaking/the-documentary-thats-ruling-my-life/</link>
		<comments>http://www.titicut.com/documentary-filmmaking/the-documentary-thats-ruling-my-life/#comments</comments>
		<pubDate>Thu, 21 Jan 2010 03:40:28 +0000</pubDate>
		<dc:creator>RB</dc:creator>
				<category><![CDATA[Documentary Filmmaking]]></category>
		<category><![CDATA[documentary]]></category>

		<guid isPermaLink="false">http://www.titicut.com/?p=650</guid>
		<description><![CDATA[So, dear readers and subscribers, I&#8217;m sure you&#8217;ve noticed things have been a bit thin around Titicut lately. This is not due to my lack of interest in documentary, or because there is nothing to post about, but rather because I&#8217;ve been working on my own little film! Documentary film that is.
It&#8217;s due for completion [...]<br /><div><img src="http://www.titicut.com/wp-content/plugins/gd-star-rating/gfx.php?value=0.0" /></div><div>Rating: 0.0/<strong>5</strong> (0 votes cast)</div><br />]]></description>
			<content:encoded><![CDATA[<p>So, dear readers and subscribers, I&#8217;m sure you&#8217;ve noticed things have been a bit thin around Titicut lately. This is not due to my lack of interest in documentary, or because there is nothing to post about, but rather because I&#8217;ve been working on my own little film! Documentary film that is.</p>
<p>It&#8217;s due for completion by March, so you can expect more derisive or obsequious reviews and news very soon.</p>
<p>As for <a href="http://www.lanfranchismemorialdiscotheque.com">my doco</a>, I&#8217;m still working on the trailer and proper outline (amongst other things). Rest assured I&#8217;ll be posting details on Titicut as things move along.</p>
<p>More soon&#8230;</p>
<h3>IMDB</h3>
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<th width="150" style="background-color:#7B7B69">Title</th>
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<td><b>Movie:</b></td>
<td><a target="_blank" href='http://imdb.com/title/tt1620852/'>Lanfranchi&#x27;s Memorial Discotheque</a></td>
</tr>
<tr>
<td><b>Director:</b></td>
<td>
<div class="info-content">                                                    <a target="_blank"href="http://www.imdb.com/name/nm3362076/" onclick="(new Image()).src='/rg/directorlist/position-1/images/b.gif?link=name/nm3362076/';">Richard Baron</a></td>
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<td><b>Genre:</b></td>
<td> Documentary</td>
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<tr>
<td><b>Runtime:</b></td>
<td> 58  </td>
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<td><b>Cast:</b></td>
<td> <a target="_blank" href="http://imdb.com/name/nm1720762/" onclick="(new Image()).src='/rg/castlist/position-1/images/b.gif?link=/name/nm1720762/';">Lucas Abela</a>, <a target="_blank" href="http://imdb.com/name/nm3781894/" onclick="(new Image()).src='/rg/castlist/position-2/images/b.gif?link=/name/nm3781894/';">Alex Davies</a>, <a target="_blank" href="http://imdb.com/name/nm3859637/" onclick="(new Image()).src='/rg/castlist/position-3/images/b.gif?link=/name/nm3859637/';">Adam Pierce</a>, <a target="_blank" href="http://imdb.com/name/nm3859588/" onclick="(new Image()).src='/rg/castlist/position-4/images/b.gif?link=/name/nm3859588/';">Adrian O&#x27;Doherty</a>, <a target="_blank" href="http://imdb.com/name/nm3859738/" onclick="(new Image()).src='/rg/castlist/position-5/images/b.gif?link=/name/nm3859738/';">Adam Jasper</a> <a href='http://imdb.com/title/tt1620852/fullcredits#cast'>&#8230;</a></td>
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<td><b>Others:</b></td>
<td><a href="#" onclick="return hs.htmlExpand(this, { contentId: 'id_1620852' } )" class="highslide"><img width="10" height="12" border="0" align="middle" style="border:0px;margin-right:4px;margin-bottom:6px;" src="http://www.titicut.com/wp-content/plugins/IMDB_Tag/highslide/graphics/text.gif"/>Additional Details</a>
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<td><b>MPAA:</b></td>
<td> </td>
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<td><b>Country:</b></td>
<td> Australia</td>
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<td><b>Language:</b></td>
<td> English</td>
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<td><b>Color:</b></td>
<td> Color </td>
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<td><b>Aspect Ratio:</b></td>
<td> </td>
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<td><b>Company:</b></td>
<td> </td>
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<td><b>Certification:</b></td>
<td> </td>
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<td><b>IMDB Tag:</b></td>
<td><?php /*?><i>Powered by</i> <a href='http://www.fots.nl/' alt='Visit IMDB Tag Homepage' title='Visit IMDB Tag Homepage'>IMDB Tag</a> &#038; <a target='_blank' href='http://www.imdb.com'><b>imdb.com</b></a><?php */?></td>
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<td><b>Photos:</b></td>
<td> N/A </td>
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<td><b>Poster:</b></td>
<td>N/A</td>
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<div align='right' style:';clear:both;' ><i>Powered by</i> <a href='http://www.fots.nl/' title='Visit IMDB Tag Homepage' alt='Visit IMDB Tag Homepage'>IMDB Tag</a></div>
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		<title>Filmmaking: American Prince 2009</title>
		<link>http://www.titicut.com/documentary-filmmaking/filmmaking-american-prince-2009/</link>
		<comments>http://www.titicut.com/documentary-filmmaking/filmmaking-american-prince-2009/#comments</comments>
		<pubDate>Thu, 06 Aug 2009 02:06:45 +0000</pubDate>
		<dc:creator>RB</dc:creator>
				<category><![CDATA[Documentary Filmmaking]]></category>
		<category><![CDATA[bittorrent]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[filmmaking]]></category>
		<category><![CDATA[Martin Scorsese]]></category>
		<category><![CDATA[Steven Prince]]></category>

		<guid isPermaLink="false">http://www.titicut.com/?p=582</guid>
		<description><![CDATA[Remember Martin Scorsese&#8217;s American Prince? That&#8217;s the documentary where he profiles actor Steven Prince in a seemingly cocaine-assisted recollection of Prince&#8217;s colourful past. The film achieved a famously cult following after being bootlegged and cycled around for the last 30 years.
Now, a follow up from A Scanner Darkly producer Tommy Pallotta has been completed and [...]<br /><div><img src="http://www.titicut.com/wp-content/plugins/gd-star-rating/gfx.php?value=0.0" /></div><div>Rating: 0.0/<strong>5</strong> (0 votes cast)</div><br />]]></description>
			<content:encoded><![CDATA[<p>Remember Martin Scorsese&#8217;s American Prince? That&#8217;s the documentary where he profiles actor Steven Prince in a seemingly cocaine-assisted recollection of Prince&#8217;s colourful past. The film achieved a famously cult following after being bootlegged and cycled around for the last 30 years.</p>
<p>Now, a follow up from A Scanner Darkly producer <a href="http://www.imdb.com/name/nm0657921/">Tommy Pallotta</a> has been completed and in a statement of sorts, the director has released the film for free on the BitTorrent network. Interestingly, the 2009 film features clips from the orginal, but instead of using the degrading master tapes (provided by Steven Prince himself), Pallotta used clips from the version he downloaded off BitTorrent, as according to the director, the digitized copy was of superior quality.</p>
<p>Oh, the irony of such an epic win.</p>
<p>Get the torrent <a href="http://www.mininova.org/tor/2660738">here</a>.</p>
<p><embed src="http://www.metacafe.com/fplayer/2548756/american_prince_teaser.swf" width="400" height="345" wmode="transparent" allowFullScreen="true" allowScriptAccess="always" name="Metacafe_2548756" pluginspage="http://www.macromedia.com/go/getflashplayer" type="application/x-shockwave-flash"> </embed></p>
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		<title>Academy Award Documentary Winners</title>
		<link>http://www.titicut.com/documentary-filmmaking/academy-award-documentary-winners/</link>
		<comments>http://www.titicut.com/documentary-filmmaking/academy-award-documentary-winners/#comments</comments>
		<pubDate>Tue, 24 Feb 2009 03:49:28 +0000</pubDate>
		<dc:creator>RB</dc:creator>
				<category><![CDATA[Documentary Filmmaking]]></category>
		<category><![CDATA[Academy Awards]]></category>
		<category><![CDATA[James Marsh]]></category>
		<category><![CDATA[Man on Wire]]></category>
		<category><![CDATA[Megan Mylan]]></category>
		<category><![CDATA[Oscar Awards]]></category>
		<category><![CDATA[Oscars]]></category>
		<category><![CDATA[Philippe Petit]]></category>
		<category><![CDATA[Smile Pinki]]></category>

		<guid isPermaLink="false">http://www.titicut.com/?p=485</guid>
		<description><![CDATA[
Congratulations to James Marsh and Philippe Petit for taking out the Academy Award for Best Documentary Feature for the fantastic Man on Wire.
The winner of the Documentary Shorts category was Smile Pinki, directed by Megan Mylan.
Rating: 0.0/5 (0 votes cast)<br /><div><img src="http://www.titicut.com/wp-content/plugins/gd-star-rating/gfx.php?value=0.0" /></div><div>Rating: 0.0/<strong>5</strong> (0 votes cast)</div><br />]]></description>
			<content:encoded><![CDATA[<p><img src="http://a.oscar.go.com/media/2009/images/oscarnight/customImages/ManOnWire_DocumentaryFeature.jpg" alt="Man On Wire" /></p>
<p>Congratulations to James Marsh and Philippe Petit for taking out the Academy Award for <a href="http://oscar.com/oscarnight/winners/?pn=detail&#038;nominee=MAN%20ON%20WIRE%20-%20Documentary%20Feature%20Nominee" target="_blank">Best Documentary Feature</a> for the fantastic Man on Wire.</p>
<p>The <a href="http://oscar.com/oscarnight/winners/?pn=detail&#038;nominee=Smile%20Pinki%20-%20Documentary%20Short%20Subject%20Nominee" target="_blank">winner of the Documentary Shorts</a> category was Smile Pinki, directed by Megan Mylan.</p>
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		<title>DMCA, DVD, CSS  &amp; Documentary</title>
		<link>http://www.titicut.com/documentary-filmmaking/dmca-dvd-css-documentary/</link>
		<comments>http://www.titicut.com/documentary-filmmaking/dmca-dvd-css-documentary/#comments</comments>
		<pubDate>Wed, 28 Jan 2009 11:38:48 +0000</pubDate>
		<dc:creator>RB</dc:creator>
				<category><![CDATA[Documentary Filmmaking]]></category>
		<category><![CDATA[copyright]]></category>
		<category><![CDATA[css]]></category>
		<category><![CDATA[dmca]]></category>
		<category><![CDATA[dvd]]></category>
		<category><![CDATA[MPAA]]></category>
		<category><![CDATA[mpeg-2]]></category>

		<guid isPermaLink="false">http://www.titicut.com/?p=403</guid>
		<description><![CDATA[The IDA&#8217;S made a few posts recently about the anti-piracy Content Scrambling System (CSS) technology found on commercial DVDs. Apparently the system is preventing documentary filmmakers from accessing content on discs which is either public domain or subject to &#8216;fair use&#8217;.
Firstly, if something is public domain, I&#8217;m not sure how the Digital Millenium Copyright Act [...]<br /><div><img src="http://www.titicut.com/wp-content/plugins/gd-star-rating/gfx.php?value=0.0" /></div><div>Rating: 0.0/<strong>5</strong> (0 votes cast)</div><br />]]></description>
			<content:encoded><![CDATA[<p>The IDA&#8217;S made a <a href="http://www.documentary.org/content/help-needed-documentary-filmmakers" target="_blank">few</a> <a href="http://www.documentary.org/content/documentary-filmmakers-we-need-your-help" target="_blank">posts</a> recently about the anti-piracy Content Scrambling System (CSS) technology found on commercial DVDs. Apparently the system is preventing documentary filmmakers from accessing content on discs which is either public domain or subject to &#8216;fair use&#8217;.</p>
<p>Firstly, if something is public domain, I&#8217;m not sure how the Digital Millenium Copyright Act (DMCA) comes into it. DMCA is also an American law which I believe has little jurisdiction outside the US. Of course, I&#8217;m no lawyer so I may be way off, but the whole subject seems to revolve around some filmmaker&#8217;s difficulties in circumventing CSS on DVDs. They either go without, or record footage via analogue capture. Enterprising directors could also go for a ghetto <a href="http://en.wikipedia.org/wiki/Telecine" target="_blank">telecine</a>.</p>
<p>As we all know, CSS was cracked in a matter of hours by a 14 year old Norwegian hacker who packaged the hack for all to use. It&#8217;s known as DeCSS and is widely implemented in a number of DVD ripping programs.</p>
<p>Anyway, all this got me thinking about the nature of DVDs themselves, which use a compressed MPEG-2 video stream. Even if you do DeCSS some video, it&#8217;s still compressed and is of lesser quality than even standard def DV.</p>
<p>While most of us would agree in challenging archaic copyright laws in general, surely the <a href="http://news.cnet.com/2100-1030_3-6076665.html" target="_blank">MPAA&#8217;s</a> stopgap anti-piracy measures can&#8217;t be <em>that</em> much of a deterrant to filmmakers?</p>
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